GOLDSMITHS | MFA 2019

Tiz Creel



Space for autonomous imagination
Play has been a recurrent drive for my practice due to its amplification forms and applications. In a nutshell, it can obliterate and conceive all at once. Because play can only be constrained by imagination, It captures the kind of experiences that cannot be repeated. My practice intends to preform in three realms: The first responds to aesthetics and technique, the second responds to the conceptual/research based aspect, and the third stage represents the interactivity of the artwork. These elements are meant to be folded upon each other, but they also exist on their own. There is no duty form the audience to navigate through all, they need to want to be part of it, it is self-selecting. It is a matter of choice how blurry and how sharp it will be.
Inflatable structure, 2019

Space for autonomous imagination
Play has been a recurrent drive for my practice due to its amplification forms and applications. In a nutshell, it can obliterate and conceive all at once. Because play can only be constrained by imagination, It captures the kind of experiences that cannot be repeated. My practice intends to preform in three realms: The first responds to aesthetics and technique, the second responds to the conceptual/research based aspect, and the third stage represents the interactivity of the artwork. These elements are meant to be folded upon each other, but they also exist on their own. There is no duty form the audience to navigate through all, they need to want to be part of it, it is self-selecting. It is a matter of choice how blurry and how sharp it will be.
Inflatable structure, 2019