CHOREOGRAPHIC was initiated by Edgar Schmitz in 2016 as a way of collaborating with invited guests from the fields of choreography and (post-)dance on one-off productions at the intersection of artistic, curatorial and discursive labour.  

CHOREOGRAPHIC is concerned with the materiality of composite productions, the (dis-)articulation of movement, and the affordances of infrastructural form. The series stages choreographic modes, language games, and production formats in close and conflictual dialogue with neoliberal forms of governance and subsumption to animate their invariably compromised critical affordances.  

CHOREOGRAPHIC is generously supported by Mountain of Art Research, Goldsmiths.